Reviewed by Patrick Lowenthal September 7, 2007 Do not let the title fool you; What Video Games Have to Teach Us about Learning and Literacy is a fascinating yet controversial book about effective learning. In fact, the book is more about learning than video games. However, if you have ever wondered about the appeal of video games, want to try to understand the Millennials or Generation Y better, or you are thinking about becoming one of the seven million residents of Second Life, this book might be for you. By sharing his personal experiences playing a wide range of video games, as well as interviewing other gamers, Gee—a self-identified late-middle-age “baby boomer” (p. 4)—illustrates that video games are not necessarily a waste of time. In fact, he shows that effective or good video games incorporate principles of learning that are absent in many of our schools today (which could explain one’s appeal over the other). In this book, Gee identifies 36 principles of learning (see Table 1 in the Appendix to this review) that are present in effective video games and he aligns these principles to current research in cognitive science, especially sociocultural and situated learning theory (e.g., Cole, 1996; Lave & Wenger, 1991; Rogoff, 2003). Rather than address all 36 principles here (as the book does), this review focuses more on the big ideas presented about video games and learning. Before moving forward, for Gee, video games are not created equal. In fact he states that “if a game has poor learning principles built into its design, then it won’t get learned or played and wont sell well” (p. 6). Instead, Gee is interested in what he calls good or effective video games—that is games that build learning principles (e.g., the 36 learning principles he identified) into them. This book focuses more on the potential of video games rather than any specific game. An underlying theme of this book is that video games are not a waste of time; in fact, contrary to popular opinion, our schools (i.e., teachers, administrators, policy makers) could learn a great deal from effective video games. Gee argues that video games “operate with…principles that are better than those in many of our skill-and-drill, back-to-basics, test-them-until-they-drop schools” (p. 205). Gee begins by trying to help his reader think differently about video games. He explains that “when people learn to play video games, they are learning a new literacy” (p. 13). Rather than thinking just about reading and writing, Gee argues that there are a multiplicity of literacies and that it is time for us to think beyond print when thinking about literacy. He explains that competency in the medium of video games is one form of literacy within a semiotic domain. In other words, video games have their own sense of meaning in that players must be literate to be successful. Gee reminds the reader that meaning does not lie in words or generalities; rather meaning is actively constructed by people. But people do not construct meaning in isolation. Rather Gee places emphasis on the fact that meaning is actively constructed by people within affiliations or affinity groups (a term he prefers to community of practice). Affinity groups attempt through their content and social practices to recruit people to think, act, interact, value, and feel in certain specific ways. In this sense, they attempt to get people to learn and take on new identities, to become, for a time and place, certain types of people. In fact, society as a whole is simply the web of these many different sorts of identities and their characteristic associated activities and practices. Video games (more than traditional forms of education) successfully invite people into unique semiotic domains, which train players to enter other systems. Through various examples, Gee illustrates how video games use identity to engage learners on a deep level and get them thinking in terms of skills and competencies that are different from their own as well as reflecting on their own abilities and perspectives. Critical to the ability to have the courage to try on new identities is the capacity of video games to create a “psychosocial moratorium—that is, a learning space in which the learner can take risks where real-world consequences are lowered” (p. 62). Gee singles out the ability of video games to allow the player to try on new identities as the single most important key to the success and power of video games. Just as books and movies can help us imagine a new identity, video games enable users to transform his or her “hopes, values, and fears” (p. 200). Thus, Gee sees the virtual characters that we become during video games as a learning tool for understanding more about our world and ourselves. In addition to the ability to assume new identities, Gee points out that video games can serve as preparation for real-life learning. That is, video games incorporate a great deal of situated, experiential, and embodied learning; while these components are often absent in traditional education, they are integral parts of real-life learning. Video games effectively provide appropriate scaffolding to create a zone of proximal development for players. Good video games use multiple modalities to engage players while building on their prior knowledge. The games are designed to reward players who effectively learn to read the various modalities of the games and develop intuitive knowledge. Gee sees these skills as valuable problem-solving and learning tools and recommends that “good teachers set up … environments that guide learners and surround them with empowering objects that extend their individual efforts” (p. 110). He continues his emphasis on situated learning but stresses the importance of achieving a balance between giving learners information and guidance and the opportunity to practice their new learning. Without information and guidance, learners can spend a great deal of time trying to figure things out and perhaps even coming up with many wrong answers and concepts. Yet too much information and repetitive practice can stifle motivation. Gee contends that good video games that have survived the market (i.e., people continue to buy them) have done so because they provide appropriate scaffolding and a balance of information with practice. Gee uses the example of the video game Tomb Raider and its later series Tomb Raider: The Last Revelation to prove his point. The first part of the game serves as a surreptitious training module as the player learns how to play the game while taking on the identity of Lara Croft. Gee says, “This is what is magical about learning in good video games—and in good classrooms, too—learners are not always overtly aware of the fact that they are ‘learning,’ how much they are learning, or how difficult it is” (p. 123). Video games (like simulations in general) are also able to situate (or immerse) learners into diverse cultural and social interactions. Gee explains, One of the things that makes video games so powerful is their ability to create whole worlds and invite players to take on various identities within them. When players do this, two things can happen: On one hand, their pre-supposed perspectives on the world might be reinforced….On the other hand, through their creation of new and different worlds and characters, video games can challenge players’ taken-for-granted views about the world. (pp.140-141) While acknowledging that some games are too repugnant to consider (e.g., Ethnic Cleansing), Gee argues that video games have a unique ability to serve as a way to explore diverse cultural models and to experience the world from new perspectives. One of the video games he uses to illustrate his point is Under Ash. In this game, the hero is a young Palestinian named Ahmed who throws stones to fight Israeli soldiers and settlers. While disturbing and violent, Under Ash, like all good video games, has “the potential to raise many … questions and issues” (p. 152). Gee greatly adds to our understanding of sociocultural learning theory in his description of the sociocultural learning aspects of video games. He gives clear examples that illustrate his belief that learning is social—“something attuned to and normed by the social groups to which we belong or seek to belong” (p. 180). While these topics can often be murky and theoretical, Gee vividly illustrates the social, distributed, and reflective nature of learning. In his summary, Gee predicts increasing development in the medium of video games. While some new games will be inspirational, some will be despicable. He sees the inspirational games as being those based on good learning theory (i.e., they incorpate some, if not all, of the 36 principles), and especially those that create experiences that empower users by allowing the game player to take on a new identity and to explore new worlds. Despite its strengths, it is important to note that the intended audience for this book is unclear. At times, Gee appears to be writing for the general public instead of academics. For instance, Gee explains that “in order not to clutter the text with references, I will not insert references directly into the text . . . but will instead give citations to the literature in a bibliographical note at the end of each chapter” (p. 11). While this could simply be a “stylistic” (e.g., editorial) decision, it is strange that Gee would concern himself with cluttering the text if his primary audience were academics; in the semiotic domain of academia—academics expect text to be cluttered with citations—in fact, it is often not seen as clutter but rather legitimacy. Additionally, Gee writes about his own personal experience with video games rather than about formal experimental research. Yet at other times, he spends a great deal of time developing an academic vocabulary to discuss video games with lengthy definitions of terms such as affinity groups and projective identities while addressing the reader as “we academics” (p. 11). Wavering between being extremely informal to highly academic, Gee runs the risk of alienating both academic and general audiences. In addition, as an academic, Gee approaches video games with a very distinct conceptual / theoretical framework. As a result, this book seems to complement his other books, Social Linguistics and Literacies and The Social Mind which is beneficial if you enjoyed his other works. However, you are not going to find anything drastically different in this book than in his past. In conlusion, Gee presents a thought provoking
insight into the world of video games. He provides a vibrant
example of sociocultural learning theory in action and helps us
account for the popularity of video games especially among young
people. Gee’s ability to bring theory into clear
perspective is truly a strength of this book which some may
overlook because of the controversial medium. Gee is not
advocating the use of video games in our schools as much as he is
advocating educators to learn from and apply the 36 learning
principles to their own classrooms and daily lessons. References Cole, M. (1996). Cultural psychology: A once and future discipline. Cambridge, MA: Belknap Press of Harvard University Press. Lave, J., & Wenger, E. (1991). Situated learning: Legitimate peripheral participation. New York: Cambridge University Press. Rogoff, B. (2003). The cultural nature of human development. New York: Oxford University Press. About the Reviewers Patrick R. Lowenthal Lee Christopher, Susan Connors, and Lisa
O’Reilly Appendix
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Thursday, May 1, 2025
Gee, James Paul. (2004). What video games have to teach us about learning and literacy. Reviewed by Patrick Lowenthal, Regis University, & Lee Christopher, Susan Connors & Lisa O’Reilly, University of Colorado at Denver and Health Sciences
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